Preceding the tour was the promotional opening of a The House of Flowers-themed cabaret, running from October 16 to October 18, which included more immersive features for fans of the show, like a 'prison meeting' area to speak to El Cacas and a 'Drag Lounge' makeover space with the performers from the show. Track it to get notified when it is! Family maid and confidante Delia is played by Norma Angélica and Maya Mazariegos, while their nosy but kind-hearted neighbor Carmelita is played by Verónica Langer and Ximena Sariñana. 55] and a character who can know everyone's secrets. This show isn't available to stream. She wants to honor her mother, support her siblings, and get revenge on Diego; to do all three, she has to re-purchase the florists from the Chiquis. 36] but also that it still sticks closely enough to the telenovela that it "cannot avoid falling into a certain plot overload"[transl. , For season 2, actress María León was cast as Purificación Riquelme, the sister of María José. Anonymous. , Shortly before the second season aired, promotional posters were launched in a campaign mocking those of conservative Mexican groups, particularly the National Front for the Family, which has criticized the show. 'The easiest, most powerful universal search engine for all streaming services.'--Wired. In season 3, it is revealed his name is Agustín Junior. 64] may annoy some viewers, but that he enjoyed "[t]he colors, the faces and mouths, the absurd situations, the masculine nudes, the obviously tacky costumes and scenery"[transl. [CN 1] Piñeiro Otero concludes that the voice-over in The House of Flowers reveals the truth, rather than just appearances.  Espinosa refers to Caro as a "young Mexican Almodóvar".[transl. 31], Jacqueline Avila looks at the use of music in the show, comparing it to the inherently musical form of telenovelas, saying that it "plays a significant and meaningful role in the developing narratives, highlighting and magnifying elements that reflect both the local and the global and incorporating past practices into a new format for a new generation of audience members who attempt to transcend borders"; she also examines the relationship of Spanish-language broadcasting with the Netflix digital platform, viewing habits, and their influences on the form of the telenovela. The rest of the family had been kept in the dark for years, with matriarch Virginia shocked to find out about the cabaret, which bears the same name, 'La Casa de las Flores' ('The House of Flowers'), as her successful florists. Burr, Jattin and Correa appear in a photograph in season 2. " Cobb's review looks positively on the melodrama and the characterizations of Paulina and Virginia, but concedes that while exciting and fun to watch, it is "not great television". 2] and Catenacci notes that, in comparison to some telenovela episodes that contain over 300 references to domestic abuse, this series' episodes are named for flowers. 2017. 60] but confirming that the show has at least brought the topic of transsexuality to discussion in more conservative Mexican families. María José finds happiness supporting the trans women and drag queens at the cabaret, though her relationship with Paulina fractures and she returns to Spain, being hounded by her overbearing sister Purificación. 57] but that Caro had made her absence "as painless as possible".[transl. , Cecilia Suárez had acted in numerous other works created by Caro before playing Paulina.  Casting for season 2 was announced as it began filming, first on February 5 with Spanish cast members, and then with Mexican actors on February 18. The show was filming in Condesa as the quake happened and production stopped while waiting for the filming locations to be stabilized. Only as a voice, Roberta dares to challenge Virginia de la Mora, the official wife and her former boss.  The House of Flowers was the third Mexican Netflix original series, after Club de Cuervos and Ingobernable, and the first television series that Caro has made.  Going into the show's sophomore season, Vogue described Suárez as "the new queen of the telenovela".[transl. General.  The show has been described as "a deconstruction or satire of Latin American telenovelas",[transl. 2018. For the landmark in Madrid, see, 2018–2020 Mexican dark comedy television show. Cat-Line. Paulina eventually accepts Diego's innocence and loyalty to her family, handing herself in to the police for the soliciting at the cabaret. d1xvdtpa0006; Submit search.  One of the music choices led to an accidental tribute; in the season 2 finale, Alexa de Landa as Micaéla performs a cover of the José José song "El Triste", with José having died shortly before the season's release, in September 2019. She told Billboard how the team had to be creative when they found songs that were perfect for scenes but could not be used, though she had already done a lot of research into seventies Spanish music when serving as the music supervisor for Roma, which was also set in this decade.  On March 17, 2020, Netflix shared the opening title sequence for the final season, and announced the release date as April 23, 2020. , Two of the songs on the soundtrack are original to the series: the main theme by Yamil Rezc, and the "El Triste" cover by Alexa de Landa, which she performed as character Micaéla in the second season. Hacia 2018 Manolo Caro logró lo que parecía una quimera.  Burr has previously portrayed Castro herself, in the 2016 biopic Hasta que te conocí. In Stock. , Suárez and her role as Paulina in The House of Flowers were included in an Entertainment Tonight list in December 2018 as the only Spanish-language star and show of the thirteen shows said to have contributed to the "rise of the Latinx TV Star" in the US that year. Elena is trying to manage her position as a senior architect while being increasingly distracted by men, and realizes she has a relationship addiction. 43] Suárez has added that a key to the show is still to connect with the "sentimental" response that Mexicans have to a telenovela, part of their culture from childhood. Additionally, Fainchtein and Rezc looked into new and emerging musical talent for their selections. Ships from and sold by Amazon.com. We recommend using #princetonbrushes round brushes size 2 or 6, for smaller, more detailed projects. It's important to choose the right size paintbrush for the piece you are working on.  By the time Suárez responded, over 69,000 fan videos had been shared; only a few days after the first season was released, a petition had been started to include Paulina's voice as an option on the GPS navigation app Waze. 29] by not being too cold. , Critic Nader notes that these Almodóvar "aesthetics"[transl. 68] rather than emulate Almodóvar's techniques without the same naturalness. [CN 1] Having discussed the classical artistic conventions that have created an entrenched association between women and death, Piñeiro Otero expands on her feminist reading of the series, writing that when faced with the silence and stillness of death, which have objectified female beauty, Roberta rebels through the word.  He also noted that it shows a pregnant Diego; María José with a mask of another woman; an elegant-looking Ernesto with a 'door' in his face, suggesting this character will find a new romance; Elena styled like the character Snow White, suggesting someone will try to poison her and referencing her coma; Delia with flowers springing from her, suggesting she is the one who is committed to floristry; Bruno covered in honey and Rosita with her head in a fish bowl; and a reference to Diego's hometown of Celaya, Guanajuato, with the frogs. It's a drama show with 2 episodes over 1 season.  The first official trailer was released on September 23, showing scenes from the first episode in both Madrid and Mexico City.  In early 2020, the de la Moras were described as "one of the most recognized families in Mexico".[transl. 5], Cisgender actor Paco León, who plays trans woman María José Riquelme, said that the production wanted to create a non-stereotypical trans character in his role, with Caro saying that he thinks media needs to "demystify"[transl. ", Spanish: "ha sacudido los cimientos del género de la telenovela", Spanish: "una imagen muy diferente de México al que ofrece por ejemplo el cine de Estados Unidos", Spanish: "se ha perdido el brillo, la mamarrachería", "se echa en falta mayor histrionsimo [, Spanish: "un manifiesto al amor y un grito contra la homofobia, y la transfobia", Spanish: "funciona porque es una especie de meme con patas", Spanish: "una de las familias más reconocidas en México", Spanish: "Es-toy en-gan-cha-dí-si-ma con el Ta-fil, oye", Spanish: "ya no temen que su hijo sea gay", Spanish: "lo que ahora les da verdadero pánico es que sea trans", Portuguese: "descaradamente um admirador", Spanish: "es como si de repente Almodóvar hubiese hecho una teleserie en los ochenta", Portuguese: "as cores, as caras e bocas, as situações absurdas, os nus masculinos, os figurinos e cenários assumidamente cafonas", Portuguese: "o uso de ângulos e cores que expressam mais do que diálogos, e o uso da música e da intertextualidade traduzem para a vivência mexicana aquilo que o aclamado diretor faz com a sociedade espanhola", Spanish: "hay una enorme diferencia entre tomar algo como referencia y otra en prácticamente copiarlo al carbón y encima hacerlo mal", Spanish: "buscar una voz y una estética propias". In some cases the narrative underlines Roberta's omniscient character and foreshadows much later events as a nod to the most observant audience. 48] and noted in particular that Elena's story in the second season is similar to one from the British comedy Fleabag. TOP HEADLINES. , In October 2018, Carmen Melgar of El País said that the de la Mora family portrait was "one of the most-viewed paintings in the world in the last few months".[transl.  The second and third seasons were filmed at the same time. 0/20.  Season 2 filming in Mexico largely took place in a nineteenth-century house in Condesa. It depicts a dysfunctional upper-class Mexican family that owns a prestigious floristry shop and a struggling cabaret, both called 'The House of Flowers'.  Caleb Torres García for Quién wrote that the imagery shows Paulina as the "matriarch and martyr"[transl. , Ortiz González, in his thesis, also looks at transgender representation; discussing the casting of a cisgender male actor, he notes that while other series sometimes show the character transitioning, María José in The House of Flowers is long since past this, with the coming out flashback scene "lasting only seconds".[transl. With the audience's curiosity sated at the moment of Roberta's suicide, the character then begins narrating, with her voice seeming to be released from the body, presenting characteristics of the "incorporeal voice"[transl. ), in order to arrive to more grounded conclusions about the ways in which melodrama is becoming part of Netflix's productions".  Fainchtein said that acquiring some of the music was difficult because not all Spanish music from the seventies is easily cleared for use, and some is not well registered to allow this. 19] and had worked with Caro and Ley before, on the film No sé si cortarme las venas o dejármelas largas; she said that she had been told before the commission that they may ask to use some of her work in a Netflix show, and she was moved by this but did not understand the reach and power of the platform at the time.  The second season also includes more complex discussions around sex, and the third season features more prominent themes of transgender and bisexuality. Outside the Wire In the near future, a drone pilot sent into a war zone finds himself paired with a top-secret android officer on a mission to stop a nuclear attack. 18] and "memorable", the music includes María Daniela y su Sonido Lasser, Baccara, Boney M., and Leo Dan. , On March 6, 2020, it was revealed that season 3 would have a "completely new cast",[transl. Roberta has an adult son from a previous relationship, the simple Claudio, played by Lucas Velázquez.  The drag queens performed live during the show and impersonated other artists beyond their characters, as well. The series, almost entirely written and directed by its creator, stars Verónica Castro, Cecilia Suárez, Aislinn Derbez, Darío Yazbek Bernal, Arturo Ríos, Paco León, Juan Pablo Medina, Luis de la Rosa, María León, and Isela Vega. Get up to 50% off. , The show has been described as a telenovela, a typical Mexican genre characterized by melodrama and exaggerated plot twists, though the Ibero-American Observatory of Television Fiction considers it a series, rather than a telenovela. 0 0. Decorate your laptops, water bottles, helmets, and cars.  Going the other way, María Alba said that the show has made Paco and María León household names in Mexico. Paulina makes a sketchy deal with Julián's escort agency for the cabaret, pinning the deal to Diego. Browse through every TV series and movie and sort by title, release year, genre, IMDB rating, and, most important— see where to watch it. The character has been critiqued as a perfect fit for the show because she has "a personality that justifies going from drama to involuntary comedy",[transl. She explores the same 'nostalgic' references that Suárez, Aguilar and Olvera noted, writing that the series "is using melodrama as a repository of shared references that create emotional attachment in Mexican audiences, exploiting nostalgia for the media culture of past decades"; she additionally suggests that this nostalgia is the reason for the inclusion of the drag queens as famous pop divas. Inspired by the adventures of Arsène Lupin, gentleman thief Assane Diop sets out to avenge his father for an injustice inflicted by a wealthy family.  Verónica Calderón of Vogue also notes that Paulina's voice is demarcating of the fresa stereotype ("yuppie") that her character plays with, and is not unusual in upper-class neighborhoods like Las Lomas, suggesting that it could be used as part of the show's socio-economic commentary.  The posters were discussed at the 2019 Huelva International Film Festival in relation to social media and marketing influencing the public view of films, particularly in terms of social criticism. , Raciel D. Martínez Gómez also notes one similarity that the show bears with traditional telenovelas, being that it uses Mexico City and its elite neighborhoods to express a lightness within the story; Martínez Gómez suggests that of recent popular Mexican output the only work to use the city in a more social-realist way was Alfonso Cuarón's Roma. This episode also connects other plot points from the second season. [...] A ella sí le creemos lo que al resto del elenco no: una personalidad que justifica ir del drama a la comedia involuntaria con una fluidez que se goza". 7] Though León's portrayal was accepted, the actor said that he will not accept more trans roles so as to promote more trans actors, but would continue as María José in the show. This is how you discover that the characters that apparently have a perfect life and are socially accepted are the ones with the most emotional problems."[transl. Adapted from a book by Alex Haley and David Stevens. 66] Writing for Fuera de series, Marina Such said that the darkly comedic melodrama and the contrasting settings of the two House of Flowers establishments give the show its Almodóvar feel from the outset, noting that the character María José could be from Todo sobre mi madre (All About My Mother); Carlos Aguilar suggested that the "Almodóvar-esque drama" may be an aspect that endears the show to English speakers, while Andrew Pulver of The Guardian compared the aesthetics, writing that since the show is "heavily influenced by Pedro Almodóvar, it's a visual treat". 26] style was eye-catching from the first episode, and that the family portrait stuck out in particular, while Denisse Marina of San Diego Red said that the portraits are "a fundamental part of the aesthetics of the series".[transl.  The portrait for the first season is a work called Retrato de una familia normal (English: Portrait of a Normal Family), the art for the second season is called La vida después de ti (English: Life After You), and the portrait for the final season is called El final del cuento (English: The End of the Tale). View HD Trailers and Videos for Mama Flora's Family on Rotten Tomatoes, then check our Tomatometer to find out what the Critics say. Ernesto gives the cabaret to the drag queens. 190 x 3 mts , oil on canvas, 2017", "The House of Flowers (La Casa De Las Flores): Season 1", "La Música Que Inspiró La Serie Original De Netflix, La Casa De Las Flores (Creada por Manolo Caro)", Netflix presenta: La casa de las flores, el Especial de TV, Elvira, te daría mi vida pero la estoy usando, Wet Hot American Summer: First Day of Camp, The Curious Creations of Christine McConnell, https://en.wikipedia.org/w/index.php?title=The_House_of_Flowers_(TV_series)&oldid=997546382, 2010s LGBT-related drama television series, 2020s LGBT-related drama television series, LGBT Hispanic and Latino American culture, Spanish-language Netflix original programming, Articles with imported freely licensed text, Short description is different from Wikidata, Pages using infobox television with editor parameter, Articles containing Spanish-language text, Pages using multiple image with auto scaled images, Articles containing explicitly cited English-language text, Album articles lacking alt text for covers, Pages containing links to subscription-only content, Creative Commons Attribution-ShareAlike License, Best Actor in an International Production, Best Ibero-American Miniseries or TV series, Best Actress in a Miniseries or TV series, Best Actress in a Series, Long Series, or Telenovela, Best Director of a Series, Long Series, or Telenovela, Best Showrunner of a Series, Long Series, or Telenovela, Best Writing for a Series, Long Series, or Telenovela, Monika Revilla, Mara Vargas, Gabriel Nuncio and Manolo Caro, Best Cinematography in a Series, Long Series, or Telenovela, Best Actress in an International Production, Best Supporting Actress in a Miniseries or TV series, Best Supporting Actor in a Miniseries or TV series, This page was last edited on 1 January 2021, at 01:56.  At one point, Verónica Castro as Virginia says "esto no es una telenovela" ("this is not a telenovela"), but then closes the video with a suggestive wink to the camera.  Some of season 3 had been filmed in April 2019, while main photography for it began in June 2019. The Streamability Score factors in where something can be watched at a given moment and weighs it against the popularity and cost of the available streaming services. The show was generally critically well-received, also winning several accolades. 15,429 885. , In his article, Adrián Arjona Bueno looks at transgender representation on Netflix. 22] of a perfect family but also revealed a double life; she notes the imagery of Paulina having blue blood and Virginia being dressed in gold with a crown, and Julián having a double face while Ernesto's is ripped in two.  Without Castro as the lead, reviewers saw that "the closest thing the wildly entertaining comedy has to a central character now" was Cecilia Suárez's Paulina, who steps up to take control of things and who was already a fan favorite. In terms of inspiration, Lobeira said that she "likes to follow a wave, that [she] gets caught up in a character and then expresses it in a magical world",[transl. Amores imposibles, humor, manierismo visual, musicalidad, desfachatez, diversidad temática y melodrama. , While Cornelio-Marí concludes that Netflix has used algorithms to "decode the formula for cultural proximity" in order to create the most internationally marketable telenovela-adjacent television shows and "influence the evolution of melodrama in the years to come", she also includes that there is a "need to conduct deeper textual analysis of titles like La Casa de las Flores and its paratexts as transmedia expansions (e.g., memes, advertising, viewers' comments, etc. 211 ] the oil-on-canvas portraits were created by Caro before playing Paulina first discussed a... Roberta 's son Claudio with plots that look at homophobia and transphobia low everyday and... `` everyday '', [ 220 ] and suggests that to continue the series 2019!, González asserted that Lobeira `` facilitated the illusion '' [ transl musicality, irreverence, diversity! And a synopsis of the Flowers that appear ''. 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